Backdraft [4K UHD]

Introduction: Outside of Jaws, the one of earlier movies I remember seeing as a child, [that I wasn't allowed to watch], was probably Ron Howard's "Backdraft". I was curious about fire; How it moved, its color. You name it, I was fascinated by it and the film satisfied my naive curiosity. This might've sparked the want to become a fireman at some point of my life, but the fire is definitely what struck me as the single most compelling thing about the movie. That, and Kurt Russell. Afterward, it sort of vanished into the foreground, becoming nothing but a fond and fuzzy memory until I saw it somewhere on TBS around 2002 or 2004, showing a scene I had never seen before. That scene being Stephen McCaffrey and John Adcox talking to each other outside of a house on the stairs, but its been so long that I'm not even sure that's an actual deleted scene or a fabrication of my own mind. Sad to say, as much as I love the movie, its not one I own on DVD (our VHS is pretty much on its last leg). So when I rented it, I was reminded of how much I enjoyed this film. Sorry for misinformation on my part (despite recently seeing the film, I totally forgot some things). Plot: The film begins somewhere in the 1970's inside of closet where a younger Brian and Stephen McCaffrey are playing around with the firefighter attire (more or less Stephen trying to teach his brother how snap up the jacket right), when their father, Dennis McCaffrey's (Kurt Russell) firetruck --Engine 17-- is called to respond to a fire. Brian finally gets the chance to ride with his father and Axe (Scott Glenn) to the scene, while Stephen remains behind at the station. While in the process of securing the building, Brian's father is caught off guard by gas pipe rupture and is killed in the explosion. Brian, unfortunately, witnesses his father's untimely demise. Fast-forward several years later, a young man named Tim and a older Brian McCaffrey (William Baldwin) have completed terms their in the academy and are ready to be trained as professional firemen, at the Station 13 (if memory serves). Outside of the bar he meets Jennifer Vaitkus (Jennifer Jason Leigh), his ex-girlfriend, before following Tim to the scene of a fire. Like a ghost from fires long past, Stephen McCaffrey steps out of a burning building, the spinning image of their late father. (Something you'd think would bother Brian.) And much to his displeasure, Brian discovers that he now has to train at his brother's station instead of the desired station he wanted. The McCaffrey's relationship at best, a shaky one; The simplest things set the two off at each others throat and sometimes simply forgotten the next day. Naturally, their strained relationship is tested as the two compete against each other and the fire's their station faces, while, inspector Donald Rimgale (Robert De Niro) investigates several backdrafts, trying to determine whether or not if they're arson or accidental. Overview: Despite its age, Backdraft has suffered only a little wear over the span of seventeen years; There are obvious things, like some wardrobes, and the environment itself that keeps the viewer aware of how much the world has changed since then. Hell, the actors themselves let you know how much time has passed. That's hardly anything against it though. But purely on a technical level, Backdraft's special and practical effects still hold up remarkably well against some of today's highly improved effects. Like John Carpenter's The Thing , Backdraft may require multiple views to fully appreciate and understand the storylines it throws at you. Unless your the type of viewer who catches onto subplots particularly quick, then you'll have no problem with solving the mystery that surrounds the secondary story of the film; The backdrafts and their seemingly unconnected victims. It throws one possibility at you after another as to who could be causing this (one possibility in particular actually had me praying it wouldn't be a certain character), but the film tends to get distracted with Brain McCaffrey's struggle to prove to his cynical brother that he can be a real fireman and the half-baked romance between himself and Jennifer Vaitkus; The only sex scene in the movie between the two characters, constantly interrupts a particularly gripping search for a fire inside of a high-rise building and ruined the entire scene for me. Thankfully, it doesn't last for long. However, when the film does return to the main focus of the story (the firefighting), things slowly start to click together and make sense. Thus, what was once regarded as a string of disjointed plots, come together in a near-perfect execution that will surprise or confuse you the first time you watch it. When its not throwing the audience into the thick of a fire, Backdraft focuses on the quirky personalities of Station 17 and portrays them more or less as people instead of these mythical beings admired from afar by onlookers and children alike. I'm no expert on a fireman's profession, but from what little I do know, Backdraft is probably the best flick done in respect to their profession and it makes them look good doing it. What surprises me though, is the lukewarm response toward the portrayal of their jobs in this film. Particularly from the so-called firefighters themselves; Some reviewers tear the movie apart over the lack of proper equipment usage or how the fire sequences themselves are portrayed. Its like, for one moment, they completely forget that their watching a movie and feel the need to critique it on the smallest things like its some sort of documentary gone horribly wrong. Now in terms of the dialogue, while some of it is indeed cheesy, I never thought it so terrible or irritating enough to criticize it. If you want to be reminded how bad dialogue can get, go watch a Steven Seagal movie. Performances in the film are particularly strong and some hardly falter ...sometimes (I facepalm everytime I have to watch the slow-mo scenes). As usual, Robert De Niro and Donald Sutherland give excellent performances in their small, but appreciated roles as a Inspector and Arsonist with a history. Kurt Russell and William Baldwin have a great chemistry as brothers --even moreso when they fight--, the two play off of each other quite well. Yet, the only actor that seems to do well on his own is Russell. As the eldest McCaffrey, he is a reckless firefighter, who isn't afraid to take the fire head-on (A trait that plays both to his advantage and disadvantage), yet cannot seem to get his personal life together even if he tried. Kurt Russell plays both the comic and dramatic sides of his character with such ease, its hard not to love Stephen, even when he's being a jerk. (I really can't comment on Russell's performance as the McCaffrey bros. Dad, as he was gone as soon he appeared. He played the 'father' role well, I'll say that much.) Kurt proves time and time again why he's such an excellent actor and this movie is only one example. This isn't to say Baldwin as Brian is horrible, no. He does remarkably well in this movie, but half the time he doesn't seem to be trying in some scenes and Brian was someone I could never connect with properly until the end of the movie. If a scene lingered too long on him, I was sorely tempted to fast forward. Scott Glenn, despite his great performance, is the most under-used actor in the entire movie; which I suppose works to his character's, Axe, advantage in some ways, still it would've been nice to see more of him. Rebecca De Mornay ( Risky Business ) and the late J.T. Walsh, played Helen McCaffrey and Martin Swayzak with relative ease as well; Walsh played the deplorable character you automatically hated the moment he opened his mouth without trouble. Mornay was a convincing wife and mother, fed up with her husband's reckless behavior. And while I generally liked her character, I never understood why she rejected Stephen when he tried to come back, outside of her own fears and not so much the welfare of their son. Lastly, the score, composed by Hans Zimmer, suited the every scene in the film to a tee. Emotional or action-packed, Zimmer doesn't fail to play on the emotion of a scene and intensify it tenfold. Granted, there was that all too familiar "Zimmer" theme that reappears in the films The Rock and Pirates of the Pirates of the Caribbean - The Curse of the Black Pearl , but that can be easily overlooked. Overall, Backdraft is a excellent Multi-genre Adventure film that never fails to deliver on what it promises the viewer. Performances are strong and the fire sequences are some of the best around. You won't look at fire the same way in a movie again. However, it is among the many "Love it or Hate it" films, so depending on your person, you may or may not love this film. I highly recommend it to anyone curious enough to watch despite its flaws. ----- [5 out of 5] - September 24th, 2008

I would like to with draw my cancel for car wash

A Great Movie.

Incredibly exciting action movie that is a tribute to Firefighters everywhere !! Director Ron Howard has created a Masterpiece of Entertainment !!! This movie has Everything you could ask for in a movie: Stars, Drama, Intense & Spectacular Fire Fighting Action Sequences, and All accomplished with Practical Effects !! No CGI, which makes All the Fire scenes so much More Exciting !!! What a Great Saturday Night Movie Experience !!!

Great firefighter movie very good transfer and the sound is great. No issues with playback.

Old movie, but so good. Lots of big named stars. I'd definitely recommend.

Really impressed the the 4K UHD.

This is an old school movie but I was with my grandkids and they had never seen it I love it recommend and actually it gives you an insight on what firefighters have to do

兄と弟の葛藤と別れ

Gostei muito da compra um filme muito bom tem áudio em português do Brasil no Blu ray 4k uma boa compra

Some of these big budget films simply have it all, which is mind you, included in salaries as well as special effects no doubt, but a film with a top notch all star cast, with pyrotechnic effects that are produced by the best around of that day and with a damn decent script and a strong story driving it, (in this case, a mysterious, but clever arsonist who is driven by anger and a point to make, nuff said), and a bit of a sibling rivalry at its centre, then you get an epic classic like this. Kurt Russell's career has been pretty consistent over the years, he hasn't done much that I think he isn't going to be proud of at the end of his career, (although I'm not sure if he has ever played a villain), and when you include the classic failures, like The Thing, now considered by most to be one of the finest sci fi horrors ever, then he has a lot to be proud of, and being a natural athlete anyway, which I am guessing he is, and a former Disney kid, which I know he is, then this has to stand as one of his finest performances. He is the lead in a film packed with massive names and some of the best around, William Baldwin, JT Walsh, Robert De Niro, Donald Sutherland, Rebecca De Mornay, to name but a few. At the front of it all, and driving the film, aside from its obvious firey drama, is the sibling rivalry he has with his younger brother, Brian, (William Baldwin). I found this to be great fun to watch and very honest in its depiction of two brothers who quite simply do not get along. Hey, in reality, brothers and sisters too let's face it, they fight and they argue people, not all brothers and sisters get along. But I found their tensions and their rivalry to be very believable and wonderfully played. It was like each time they got together, it was like, 'Hey, you're my brother, but sc*** you'. The pyrotechnic effects of course are awesome. They obviouosly must have had a terrific team for the special effects and they were real too, no cgi, which was at the time, in its infancy. There is an intro by Ron Howard who was going to use cgi, but wanted to test it first, to see if it would look okay, but he thought it looked too fake, so they went with the real thing, and I think they did a fantastic job. Not that I am a fan of the director by the way. There are some directors out there who I am no fan of, but every so often they will come up with one or two great movies, and Ron Howard is one of them. I am no Ron Howard fan, I just don't think much to the guy, (and if you ever saw the South Bank show with Melvyn Bragg, he looked none too impressed when interviewing the guy either, so I am not alone), but he has made two films which can quite easily go down in movie history as classics and this is one of them, the other being Apollo 13. This looks amazing on blu ray by the way too. I did have a copy on dvd, but traded it for this among others and the difference is there to see. This is an absolute cracker of a thriller, and one of the best, if not the best movies about fire out there today, and definitely Ron Howard's finest two hours of filmmaking.

Als 1991 der Action Thriller "Backdraft - Männer, die durchs Feuer gehen" in die Kinos kam, war dieser Film eine einzige Sensation. Zwar gab es schon damals digitale Effekte, doch war das noch weit entfernt von dem, was heute möglich und normal ist. So inszenierte Ron Howard (Splash - Eine Jungfrau am Haken, 1984; Willow, 1988; Apollo 13, 1995; A Beautiful Mind, 2002) einen spektakulären und hochexplosiven Film über Feuerwehrmänner, der in seiner Machart schon sehr nah an der Realität ist, und durch einzigartige Bilder im Kopf bleibt (z.b. der verlassene Löschschlauch, der wie eine aufgerichtete Schlange in der Feuersbrunst sein Wasser verschiesst). Neben dem grandiosen Score von Hans Zimmer, der diesem Film ein einzigartiges Flair gibt, hatte Ron Howard auch noch das Who is Who der Filmbranche vor der Kamera. Stars wie Kurt Russell (Turm des Schreckens, 1975; Die Klapperschlange, 1981; Das Ding aus einer anderen Welt, 1982; Tango & Cash, 1989), Robert De Niro (Hexenkessel, 1973; Taxi Driver, 1976; Heat; 1995; Ronin, 1998), William Baldwin (Flatliners, 1990; Sliver, 1993; Fair Game, 1995; Unter falschem Verdacht, 2000), Donald Sutherland (Das dreckige Dutzend. 1967; MASH, 1970; Die Nadel, 1981; JFK - Tatort Dallas, 1991), Jennifer Jason Leigh (Flash & Blood, 1985; Hitcher - Der Highway Killer, 1986; Weiblich, ledig, jung sucht ..., 1995; Tausend Morgen, 1997), Scott Glenn (Apokalypse Now, 1979; Wenn er in die Hölle will, laß ihn gehen, 1982; Silverado, 1985; Das Bourne Ultimatum, 2007) und Rebecca De Mornay(Einer mit Herz, 1982; Express in die Hölle, 1985; Die Hand an der Wiege, 1992; Identität, 2003) wirkten bei diesem Film mit und sorgten für grandiose schauspielerische Leistungen. Im Kern der Geschichte geht es um ein sehr unterschiedliches Brüderpaar, das es mit einer Serie mysteriöser Brandanschläge zu tun hat. Während der ältere der beiden, Stephen McCaffrey (Kurt Russell) in die Fußstapfen ihren Vaters getreten ist und schon fast ungestüm und tollkühn einen Feuerwehrzug leitet, sucht der jüngere Bruder Brian (William Baldwin) noch seinen Weg. Ebenfalls ausgebildet zum Feuerwehrmann hat er es aber schwer in der Truppe seines Bruders Fuß zu fassen und nimmt deshalb einen Job als Brandermittler bei dem Experten Donald Rimgale, genannt "Shadows" (Robert De Niro) an, und ermittelt mit diesem gemeinsam an der mysteriösen Serie von Brandanschlägen. Als Spuren plötzlich auf seinen Bruder als Täter hinweisen, kommt es zu einem spektakulärem Finale. "Der Film wurde 1992 für den Oscar in den Kategorien Beste visuelle Effekte, Bester Ton und Bester Tonschnitt nominiert. Hans Zimmer gewann für die Filmmusik den BMI Film Music Award." (Wikipedia, Seite "Backdraft"). Das Lexikon des internationalen Films vermerkt zu diesem Film: "Eine Mischung aus privatem Drama und Actionfilm, deren dünne Handlung sich auf emotionale Klischee-Situationen verlässt. Die atemberaubende Inszenierung von Feuersbrünsten stiehlt der Story die Schau.“ (Quelle: Wikipedia). Auch wenn die Beurteilung des Lexikons für mich etwas arg nüchtern klingt, ist der Film damit sehr gut beschrieben. Der Streifen lebt von seinen visuellen Bildern, die das Feuer in einer einzigartigen Weise darstellen. Dennoch ist auch die schauspielerische Leistung grandios, auch wenn die Story vielleicht etwas dünn ist. Dies fällt aber beim Sehen dieses Films nicht auf, da das einzigartige Zusammenspiel von visuellen Effekten, Score und Schauspieler diesen Film zu einem perfekten Filmerlebnis macht. Auf Blu-Ray ist dieser Blockbuster in einer exzellenten Veröffentlichung erschienen. Das Bild ist wirklich fantastisch, auch wenn es nicht ganz an das HD Niveau von Streifen der letzten 5 Jahre herankommt. In Englisch ist der Film im DTS-HD Master Audio 5.1 aufgespielt, in Deutsch, Französisch, Italienisch, Spanisch und Japanisch in DTS Surround 5.1. Dazu gibt es noch jede Menge Untertitel (Deutsch, Englisch, Französisch, Italienisch, Spanisch, Japanisch, Kantonesisch, Dänisch, Niederländisch, Finnisch, Griechisch, Isländisch, Koreanisch, Norwegisch, Portugiesisch, Schwedisch und Mandarin), sowie eine Fülle an Bonusmaterial (Einführung von Regisseur Ron Howard, Unveröffentlichte Szenen, Die Initialzündung, Zusammenstellung des Teams, Aufregende Stunts, Das Feuer, Echte Feuerwehrleute - Geschichten aus dem wahren Leben). Insgesamt eine exzellente Veröffentlichung von Universal für einen der absoluten Top-Filme der frühen 90er Jahre. Eine echte Empfehlung für diejenigen, die diesen Klassiker noch nicht kennen sollten.

Film di grande impatto emotivo, un classico del genere ma che non ha le scene spettacolari del primo film Backdraft qualità eccezionale sia audio che video, edizione con scritte in tedesco ma nel menù è disponibile la scelta della lingua Italiana compreso i sottotitoli. A mio avviso il primo Backdraft è migliore sotto tutti i punti di vista.